
Please bear in mind that there is no universally accepted system for scratch terminology. Email flaredycats@hotmail.com with any questions and we will spurt the truth.
	Baby With the fader open, and the record at the start of a sound, move the record forwards and backwards. RealAudio RealVideo Forward Start with the fader off. Open the fader and let the record go to play the sound, then close the fader at the end of the sound. Draw the record back to the start of the sound with the fader off. RealAudio RealVideo Stab Like the forward scratch, except you push the record forwards instead of letting it go. Fader movement is identical: instead of letting go of the record, push it forwards, then with the fader off pull it back. RealAudio RealVideo Reverse The opposite of a stab. Open the fader for the pullback on the record instead of the forward push. Play the sound for the pullback part only. RealAudio RealVideo Slide Start as with the stab but instead of pushing the record quickly to create a sharp sound, push the record slowly and leave the fader open to create long, low, relatively quiet sound. RealAudio RealVideo Chirp Start with the record at the start (or very slightly before the start) of a sound with a sharp attack, and the fader open. Push the record forward and close the fader gradually, then pull the record back and open the fader gradually to get two sounds. When you get the basic co-ordination, do the scratch quickly, move the fader quickly. RealAudio RealVideo Tear With the fader open, push the record forward (as with baby) and then draw it back in two distinct parts, to create three sounds. Tear ish up! RealAudio RealVideo Baby fades Do a baby scratch, whilst doing it gradually lower the upfader to the bottom to fade the sound out. RealAudio RealVideo Forward echo As with forwards, but using the upfader. Have the crossfader open and the upfader closed. Open the upfader to the top and let go of the record to get a normal sounding forward. Close the upfader (move it down) and pull the record back. Open the upfader again, but this time not quite all the way to the top so that the forward is quiter than the first one. Repeat this and have the upfader at a lower open position each time to create an echo-like effect where each forward is quieter than the previous one. RealAudio RealVideo Transform Get a long sound such as 'aaahh'. Start with the fader closed and the record at the start of the sound. Let go of the record, and with the record running, open and close the fader for any number of times. RealAudio RealVideo Pushed reverse tear The opposite of a tear in the first part, push the record forward in two parts and pull in back in one. RealAudio RealVideo Tapped reverse tear Let go of the record, tapping it to split the sound into two parts, then pull it back. RealAudio RealVideo Square tear Push the record forward in two parts, and pull it back in two parts, to create four sounds. RealAudio RealVideo Flare There are several key points to understanding flare scratches. Firstly, flares start with the fader OPEN, (not closed - as in the transform scratch). Secondly flares are created by letting the record move with the fader starting open, and then creating sounds by 'clicking' the fader shut then open. Different flares are created by differing the clicks - either by the number of clicks or the position of the clicks. This may seem really confusing to a beginner. But you are going to learn. One click flare This scratch starts with the fader open, the record is moved, and while it is moving the fader is clicked shut, then open ONCE. This creates two sounds. RealAudio RealVideo Two click flare Now try two clicks to make three sounds! RealAudio RealVideo Orbit Orbits are two flares, both with the same number of clicks, combined so as to produce a rolling effect. 1 click orbit (or 'one-clicker') Thus a one click orbit is a one click flare in one direction, followed by another one click flare in the reverse direction. This makes a total of four sounds. RealAudio RealVideo 2 click orbit Like the one-clicker, except you put two clicks in each stroke, to create six sounds (three forward and three back). Often you may hear these simply referred to as 'orbits' in the turntablist vernacular. RealAudio RealVideo 3 click orbit Like the two-clicker, except you put three clicks in each stroke, to create eight sounds (four forward and four back). RealAudio RealVideo 4 click orbit Like the three-clicker, except you put four clicks in each stroke, to create ten sounds (five forward and five back). RealAudio RealVideo A brief note on technique You may have realised that one can indeed employ different methods to produce the clicks required to flare and orbit. You can simply click the fader by holding it with your fingers and moving it shut, or you could try the 'twiddle' or 'crab' techniques! Twiddle The twiddle offers a different way of performing the clicks. You need to have your thumb relaxed and holding the fader open. 'Snap' your index finger across the fader to click it off, and then spring it back open using your thumb. Then in a swift, fluid motion do the same with your forefinger. Don't try to push the fader back open with your thumb, just relax it, so that it springs the fader back open, and let your fingers do the work. RealAudio RealVideo Crabs Similar to the twiddles, but using three or even four fingers. RealAudio RealVideo To get good twiddles and crabs, you can build up the co-ordination by practising the following exercise: Hold the fader open with a relaxed thumb. Push the fader shut with your index finger and let the finger slide off the bottom end of the fader, so that you thumb pushes the fader open again. Try to do the whole move smoothly, and keep your thumb relaxed. Perform one-clickers, shutting the fader using this method and build up the speed and accuracy. Do this for each finger (all four of them) on your fader hand. Question: Two click orbits. To crab or not to crab, that is the question. Answer: See FAQ page. Crab fades Use the crabbing finger action on the upfader instead of the crossfader, and crab at different volume levels to create crab fade effects. RealAudio RealVideo Scribble Press lightly on the record, and tense your arm so that it shakes, moving the record forwards and backwards very quickly. an easy way to impress a crowd. RealAudio RealVideo Drills Like a scribble, except you use your arm to move your hand forwards and backwards to create a moving scribble effect. RealAudio RealVideo Rubs/ hydroplanes First style - let the record run like a forward, and place your finger lightly on the left side of the record so that it is opposing the direction of the record spin. Allow your finger to lightly skip or bounce along the record to create a slightly slowed grating effect over the sound being played. Second style - instead you push the record round with one hand whilst the other is used to bounce along the record. These can be done in both directions unlike the first style. RealAudio RealVideo Tweak Turn the record player off and spin the record around in both directions at differing speeds by pushing the edge of the turntable platter with your hands. You can also use fader techniques in combination with this. Historically the transform scratch has often been used by famous 'tweakers'. RealAudio RealVideo Bubble scratch Change the eq whilst babying, scribbling, doing any other scratch to create an effect resembling a wah pedal. Sonic flares This complicated and subtle scratch will be detailed in the forthcoming FlaredyCats video. RealAudio RealVideo Turbo scratch RealAudio RealVideo Chirp-crabs RealAudio RealVideo Serial chirp one-clicker RealAudio RealVideo Parallel tear-chirp RealAudio RealVideo Serial chirp orbit RealAudio RealVideo Oleonthosis RealAudio RealVideo Hexagon tears RealAudio RealVideo Magic tears RealAudio RealVideo Waltz orbits RealAudio RealVideo Regular pulse RealAudio RealVideo Irregular pulse RealAudio RealVideo Doppler pulse RealAudio RealVideo Parallel park RealAudio RealVideo

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